I enjoyed the beginning of this book but quickly guessed the outcome as it was just an age old story that has happened many times in history. I do however think the hype and advertising for this book has been very misleading in just how gripping the story is. Sadly, I was very disappointed, although I know that this is probably a controversial opinion looking at other reviews on Goodreads and on book blogs. I had such high hopes for this book and I was so excited when I bought it because I loved the sound of the book and thought it sounded like a fantastic read. Cumming began with a few criss-crossing lives in this fraction of English coast – the postman, the grocer, the elusive baker – but soon her search spread right out across the globe as she discovered just how many lives were affected by what happened that day on the beach – including her own.

Cumming grew up enthralled by her mother’s strange tales of life in a seaside hamlet of the 1930s, and of the secrets and lies perpetuated by a whole community. The girl became an artist and had a daughter, art writer Laura Cumming. It was another fifty years before she even learned of the kidnap. The child remembered nothing of these events and nobody ever spoke of them at home. Five agonising days went by before she was found in a nearby village. In the autumn of 1929, a small child was kidnapped from a Lincolnshire beach. In addition to her career in journalism, Cumming has written well-received books on self-portraits in art and the discovery of a lost portrait by Diego Velázquez in 1845. Laura Cumming (born July 1961) the art critic for The Observer.

On Chapel Sands: My Mother and Other Missing Persons by Laura Cumming

On chapel sands review